July Talk at the Stardust Drive-In


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When the coronavirus pandemic hit earlier this year, one of the first activities that came to a halt were concerts. As time has passed, it’s become clear that the future of live shows remain uncertain. While many artists have taken to doing livestreams as a substitute, the new concert experimentation that’s taking over is using the space of drive-in theatres. Canadian alt-rock band July Talk did just that with two sold out shows at the Stardust Drive-In in Sharon, Ont., providing a socially distanced show for fans from the comfort of their cars.

Obviously, this show is different from your traditional concert. There’s no standing room, you’re not bumping shoulders against the person next you, clapping and cheering have been replaced with horn honking and light flashing. And of course, you’re sitting in your car. But for those of us who have been itching to see live music, this is a pretty unique alternative.

Before the concert, July Talk ensured that the show remain as safe as possible with health and safety measure intact. All staff and crew were wearing masks, fans who were going outside of their cars needed to wear them too, vehicles were separated 6ft apart and washrooms were disinfected regularly. For those who couldn’t be in attendance, the band provided a paid livestream, with 50 per cent of the proceeds going to various charities around the world.

Accompanied with a main stage, the show was projected on massive movie screens throughout the space, with drones circling above the cars to capture every angle. Some patrons expressed their distaste for being forced to look at a screen based on how the car parking was laid out, especially those in the VIP section. But staff were quick to remind fans that this is meant to be treated as a drive-in experience. And in some aspects, it was. Along with the show playing on the movie screens, the audio was received only through your car radio, so for those who wanted to stand outside to listen, the audio wasn’t nearly as clear as it would be if you were in your car. That, however, didn’t stop fans from stepping outside of their vehicles, or sitting in their trunks to try to get a look at the stage.

Leading up to the performance, the band provided a pre-show set with video footage of music videos, behind the scenes content, vintage drive-in ads and even videos of puppies and kittens.

Before the band started the show, one of the band’s two lead singers, Leah Fay, delivered an Indigenous land acknowledgement, as well as addressed the ongoing process of learning and unlearning the ways in which settler-colonial violence continues to do harm in both visible and invisible ways. Followed then by a beautiful message of hoping that we can be vulnerable and be kind to each other during unprecedented times.

The band tore through a near two hour set with music from their latest album Pray For It, while of course, sprinkling in popular tracks from their previous releases. The band was full of energy in their performance and soaked in the love from their fans, even if it was translated by horn honking. Despite a different concert layout, some traditional July Talk show moments remained the same, like during the song ‘I’ve Rationed Well,’ when Fay, who normally walks through the audience, replaced this by mingling through the cars and sat on top of one to finish out the song.

During ‘Champagne’ and ‘Touch’ the band brought out musicians Kyla Charter and James Baley, who provide guest vocals on the songs. The band closed their set with two covers, ‘I Don’t Want to Set the World on Fire’ by the Ink Spots, and ‘To Hell With Good Intentions’ by Mclusky, then ending with ‘Picturing Love’ where they were joined again by Charter and Baley.

There were a few touching moments during the show when both lead singers, Peter Dreimanis and Fay expressed their gratitude for those who were in attendance and the crew that helped to build the show. Ahead of ‘The Garden,’ Dreimanis encourage anyone who was going through a hard time during the pandemic to reach out to friends, and that now is the time to lean on your community.

Towards the end of the show, Fay said one way to control the anxiety of not knowing the future of an unknown future is to be kind to others, and that doing something kind for someone else is a small act that can make the world better. She also encouraged getting mad when anger is needed, and to unlearn what we’ve learned is untrue.

Drive-in shows during the coronavirus pandemic still have a ways to go before they’re truly safe. There’s the concerns of making sure venue staff, crew and security, who interact regularly can safely do their jobs. There’s the issue that fans may not want to stay inside their cars and could congregate with others. Ensuring the messages of social distancing and wearing masks need to be amplified. But for now, this strange twist on an old pastime is a bit of joy that we can hang on to.

Foo Fighters at the Rogers Centre

In 2018, it's particularly rare to come across a good rock and roll band, in between the shuffle of pop stars and hip hop moguls. Rock music isn't what it was 10, 20, even five years ago. Now it's a battle of who can last on the charts, who can make an impact, and who won't be forgotten when the song of the summer is over. 

Rock bands now are either retiring, breaking up (and getting back together before breaking up again), or just getting their land legs in the rickety boat that is music. The floor can drop at any moment. 

But The Foo Fighters have a particular magic about them. Similar to acts that emerged at the same time they did, like Green Day and Weezer, The Foo Fighters are one of those bands that can command a certain energy. Really bring people together from all ages, and put on a real authentic rock show. But what sets The Foos apart from the aforementioned bands, is they can do it in, as lead singer Dave Grohl lovingly put it, "a big ass rock stadium". 

Touring in support of their latest effort, 'Concrete and Gold', The Foo Fighters brought a completely sold out show to Toronto's Rogers Centre. Things kicked off immediately with "All My Life" followed by hits "Learn to Fly" and "The Pretender". One rock song barreling into another, with Grohl pausing in between to ask the crowd "are you ready?!" To which the audience followed with a resounding roar. Sprinkled in between the set of hits were tracks from their latest effort including "Dirty Water" and "The Sky is a Neighbourhood", both of which featured four backup singers, one of which was Grohl's daughter, Violet.

Sandwiched in their catalogue of hits were a string of covers including Alice Cooper's "Under My Wheels", The Ramones' "Blitzkreig Bop", and Queen's "Under Pressure" which featured drummer Taylor Hawkins on vocals, and the lead singer of opening band The Struts making a guest spot in the duet. Even when Dave slowed things down in what the audience thought would be a cover of John Lennon's "Imagine", began to sing "Jump" by Van Halen, leaving for a confusing but hilarious moment. 

Grohl paused the show a few times to speak to the audience, letting us know that we'd be here "all f*cking night" and to add that for those who had to work the next day, to use the excuse that The Foo Fighters played "all f*cking night." And for the most part, he kept his word! With a start time of 8:30, the group played until past the 11 p.m. curfew, to which the audience was a bit divided. Some were either incredibly enthusiastic about the potential all-nighter, or were ready to leave before the encore to beat the crowds.

The band powered through the rest of their set, playing more fan favourites like "Monkey Wrench" and "This is a Call" before ending it off with "Best of You". The band returned for a three song encore with "Big Me," "Times Like These," and finally finishing with "Everlong." If fans were anticipating a good, real rock show, The Foo Fighters absolutely delivered.

 Leading up to last night's event, there was news earlier in the day, that parts of the GTA was threatened with a terror attack, one spot being the CN Tower, steps away from the Rogers Centre. There was a heavy police presence, and increased security. And with many reminded of the various attacks in recent months at concerts, it left people with an unsettling feeling. Many were posting to social media their fears of attending the show, some even giving up their tickets. But by the time the show started last night, that sort of gut-wrenching feeling was washed away, because as soon as the music started, fear was shaken off. This concert proved that hundreds and thousands of people could fill a room and celebrate music fearlessly. Fans danced, jumped around, hugged each other, sang, clapped, and cheered. We all celebrated what brought us together. Despite the different lives we all lead, and the stories we all have, at the end of the day, it's this great thing called music that brought us here. And that is something special that no one can take away from us.